Tom McEwan

'Autumn' Ali Smith

Covering goatskin and doublures are hand-dyed using printed and hand-applied resists over a craquele background. Further design elements are constructed from inlays taken from leathers worked with dyes, gold leaf and gold foil - giving a textured feel and appearance. Man Booker Prize commission.

'Ducks, Newburyport' Lucy Ellmann

The covering leather and doublures are of natural goat decorated using craquelle techniques with several applications of printed and dyed resists. The base design elements were then emphasised with gold and blind-tooled lines. Man Booker Prize commission.

Le Poete a New-York' Federico Garcia Lorca

Doublures and covering leather are of hand-dyed natural goatskin using combination of hand-applied and printed paste resists. Further decoration constructed from feathered goatskin onlays and gold-tooled inlays. Endpapers are hand-painted with acrylic ink and water colours. Designed and executed for 'Collect 18' exhibition.

Aucassin & Nicolete

Designed and bound for 'Collect' exhibition. Full goatskin hand-dyed with screen printed and hand-applied resists with pre-prepared and hand-dyed, gilded leather inlays. Multiple gold tooled textured line work. All edges with gilded and gauffered decoration prior to sewing.

'Happy Abstract' William Blake

Competition binding for USA 'Open-Set' travelling exhibition. Full hand-dyed goatskin with multiple gilded leather inlays with gold and blind tooling. Edges dceorated prior to sewing using gold, transfer print, acrylic ink and gauffered textures. Endbands of gold leaf over leather core.